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I Am the Army [System Apocalypse, Strategy LitRPG, Strong MC]

Chapter 18 / 38

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Chapter 18: Nine Names

I Am the Army [System Apocalypse, Strategy LitRPG, Strong MC]

Three days, and for the first time since any of this actually started, I don't spend them alone with my own silence.

Areum starts the group chat on the first night, no ceremony, just a message to a thread suddenly populated with names that didn't exist in my phone a week ago. *Figured we should have a way to check on each other that isn't hoping the reshuffle's kind.

Jung-su replies first. *Efficient. Approved.

High praise from you,* Chris sends back. *I'll take it.

Ha-eun's next, practical as ever. *If anyone's hurt and not saying so, say so anyway. I mean it.

Noted,* Vincent sends, and then, a moment later, *For the record, I'm fine. Statistically fine. Emotionally more complicated, but that wasn't the question.

Emotionally complicated is allowed too,* Ha-eun sends back. *Wasn't excluding that from the check-in.

Duly noted. Filing it under things I'm not equipped to quantify yet.

Chris sends a photo of a diner breakfast, absurdly ordinary, eggs and rice and a cup of coffee that's gone cold in the corner of the frame. *Whole squad's scattered God knows where. This is the first meal I've had that didn't taste like MRE in longer than I want to admit. Small mercies, I guess.

Small mercies count double out here,* I send back. *Glad you got one.

Appreciate that. You holding up alright yourself?

I stare at the question a long moment before answering. *Working on it.

Fair enough. That's most of what any of us are doing, best I can tell.

Su-min doesn't say much, just a small photo of his cat curled up on his actual bed, the caption reading only *he doesn't know anything happened. Lucky him.* Nobody comments on it. Nobody needs to. We all understand exactly what he means.

Mrs. Bae sends nothing to the group thread at all, which somehow doesn't surprise anyone. She shows up at my door on the second evening instead, different container this time, same wordless ritual. "New people," she says, nodding at my phone like she already knows what's on it. "Good. The bigger the table, the harder it is for any one absence to feel like the whole room's empty."

"Is that why you keep doing this? Feeding people?"

"Partly." She sets the container down, already moving to check my cabinets for a clean bowl. "Partly it's just easier to love people through my hands than through my mouth. I've always been that way. This place hasn't changed it. Just given me more people to do it for."

I eat what she's brought, and for a few minutes, the apartment feels less like a waiting room between disasters and more like something almost resembling a home, however briefly, however borrowed the feeling actually is.

* * *

I text Woo-jin separately, later that night, alone.

How are you holding up.

It takes him almost an hour to answer. *Bad. Then okay. Then bad again. I've stopped trying to predict which one's coming next.

That sounds about right for what happened.

Twenty-two people are still looking to me like I've got this figured out. I don't. I'm just better than most at hiding that I don't.

You don't have to hide it from me.

I know. Doesn't mean I know how to stop doing it. Some habits are load-bearing. You take them out and the whole structure comes down with them.

I don't have a clean answer for that, so I don't force one. We sit in the silence of the thread a while, two people who understand exactly the specific weight the other one's carrying, and somehow that's enough.

Thank you,* he sends, eventually. *For asking. Not many people do, once they've decided you're the strong one.

I noticed that about you the first hour we met, if I'm honest. Figured someone should start asking anyway, even clumsily.

Appreciated more than I know how to say properly right now.

* * *

Mom's rice is smaller tonight, quieter, like she's noticed something different in me without being able to name what.

"You've got more friends now," she says, not quite a question. "I heard you texting more than usual."

"Something like that." True enough, the same way most things I tell her these days are true enough without being the whole truth.

"That's good," she says, and means it, and doesn't ask the follow-up question that would cost more than either of us has room to spend answering honestly tonight.

I eat. She watches me eat. Somewhere in the quiet between us, something that isn't quite peace but isn't quite its opposite either settles over the table, and for three days, that has to be enough.

* * *

The third night takes me sitting up, wide awake, and when the light lets go of me I'm standing in a hallway that smells sharply, unmistakably, of antiseptic.

Fluorescent light hums overhead. Linoleum floor, pale green walls, a nurses' station, and monitors blinking steady lines across dark screens.

Every bracelet in the hallway vibrates.

STAGE 7 — THE FALSE WARD

CLEAR CONDITION: LOCATE AND TERMINATE THE SOURCE BEFORE THE LAST REAL PATIENT FLATLINES.

FAILURE CONDITION: ZERO LIVING PATIENTS REMAIN.

The condition tells us there are real patients mixed with the traps. It does not tell us which beds hold them.

I check the floor out of habit. Warm, faintly, under institutional tile that has no business holding any heat at all.

Seventh room. I don't feel anything close to pride about finding it this fast anymore. Just a tired, familiar dread, the specific exhaustion of a body that's learned a skill it never wanted to need.

"Hospital," Ha-eun says, arriving at my shoulder, voice gone somewhere flat and careful. "I did rotations somewhere that looked almost exactly like this. Real one's in Sinchon, if this is borrowing its skin the way everything else has."

"You okay?"

"Ask me again in an hour." She's already scanning the nurses' station, professional instinct running ahead of whatever fear is trying to catch up to it. "This is going to be a hard one for me specifically. I can already feel that."

"Because it's close to what you actually trained for?"

"Because it's close to what I actually trained for, and because every wrong thing this place shows me is going to look like a real patient before I know better. That's a specific kind of tired I haven't had to carry in any of the other rooms." She exhales, steadying herself with visible effort. "I'll manage. I'm good at managing. It's mostly all I've done since the first room."

"You don't have to be good at managing every single time."

"Maybe not. Today's not the day I get to test that, though." She offers something almost like a smile, tired but real. "Ask me again once we're somewhere safe. I keep saying that lately. I'm starting to wonder if 'safe' is a place that actually exists anymore, or just a phrase we all keep repeating to get through the next hour."

You might be reading a pirated copy. Look for the official release to support the author.

"Maybe it's both," I say. "Maybe saying it enough times is what makes the getting-through part possible at all."

"That's either genuinely very wise or completely made up on the spot."

"Honestly, could be either. I've stopped being able to tell the difference some nights. Maybe that's just what wisdom actually is, out here — something you can't tell apart from making it up until it happens to work."

* * *

Jung-su's doing his usual read of the room, methodical, unhurried. "Quiet," he says. "Too quiet for a place this size. Real hospitals don't go this silent, not even at four in the morning."

"Where is everyone," Su-min asks, small.

As if in answer, a monitor at the nurses' station beeps, once, steady, a green line tracing an even, mechanical rhythm across the screen.

Ha-eun goes very still. "That's wrong," she says. "That's too even. A real heartbeat isn't that steady. It varies, breath to breath, stress to stress. That reads like something drew a heartbeat instead of actually having one."

"You're sure."

"I've watched enough real monitors to know the difference in my sleep." She doesn't look away from the screen. "Whatever's making that line, it isn't attached to anything actually alive."

A survivor in a delivery jacket pushes past Chris and reaches the nearest bed. "My wife is calling me."

The patient under the sheet has no face. Clear tubes explode from its mouth and enter the man through both eyes.

He claws at them. The tubes pull in opposite directions. His jaw tears loose first. Then the top of his skull opens along the sutures, peeled apart with a wet series of pops.

The false patient drinks until the body stops kicking.

The delivery man's last sight enters me through two ruined eyes.

HUMAN ECHO ABSORBED

INT: 56 → 60

AGI: 65 → 69

The change is immediate. So is the guilt. I never learned his name, but his death knows mine.

Chris fires once through the monitor instead of the bed. Sparks shower the tubes and they recoil.

"That answer your question?" he says, checking the chamber.

"Depends which sound's actually worth following." Jung-su's already moving toward the nurses' station, staff loose but ready. "Real hospitals have a rhythm to them, even quiet ones. Machines that hum instead of scream. People breathing, even asleep. This place has none of that. Just the beeping, and whatever's underneath it, waiting to see what we do next."

"You've spent time in hospitals," I say.

"More than I'd like to have. Different life, different reasons." He doesn't elaborate, and I don't push. Some doors don't need opening tonight.

Su-min stays close to the middle of the group, eyes wide, hand fisted in Yuna's sleeve out of pure habit now, a reflex built over just enough stages to already feel permanent. "Is it always going to be a new kind of scary," he asks, quiet. "Every single stage. A whole different flavor of it."

"Seems that way," Vincent says. "Statistically, at least seven distinct types so far, and I doubt it's done innovating."

"That's not comforting."

"Wasn't built to be. Just accurate."

"We figure out which patients are real and which ones are bait," I say, working it out loud the only way I know how to think fast enough. "If the fake vitals are too smooth, the real ones should look messier. Worse, even. That's what we look for."

"That's a hard thing to ask people to hope for," Vincent says. "Rooting for someone to look worse instead of better."

"It's not hope. It's math," I say, echoing him without meaning to, and something almost like a smile crosses his face despite everything.

* * *

Woo-jin's group isn't here this cycle — different draw, different room, some quiet ache settling into me at the realization that the reshuffle doesn't guarantee anything, not even the people you've started building something real with.

"We're on our own for this one," Jung-su says, reading the same absence I am. "No safety net beyond what's standing in this hallway."

"Nine of us," I say. "That's not nothing."

"No," Mrs. Bae agrees, already scanning the ward for the sound of anything that might be a child, anyone smaller and more frightened than the rest of us. "It's not nothing at all."

We move deeper into the ward together, hands loose but ready, eyes scanning monitors instead of faces for the first time all night, looking for the one thing this place doesn't want us to find: a heartbeat messy enough to actually belong to someone still alive.

Somewhere down the corridor, another monitor beeps, steady, patient, and underneath the sound, faint, I hear something that might almost be breathing — ragged, uneven, exactly the kind of imperfect that a fake could never quite manage to fake.

"There," Ha-eun says, already moving toward it. "That one's real. I'd bet everything I've got left on it."

We follow her into the dark, toward the one true sound in a building built entirely out of comfortable lies.

The room is small, curtained, a single bed pushed against the far wall. A man lies in it, maybe fifty, breathing hard and uneven, sweat-soaked, genuinely, visibly struggling in a way nothing fake in this building has bothered to fully commit to yet.

"Sir," Ha-eun says, already moving to his side, voice shifting instantly into something calm and clinical. "Can you hear me? I need you to squeeze my hand if you can."

His fingers close weakly around hers. Real. Undeniably, unmistakably real.

"He's alive," she confirms, already checking his pulse manually, counting under her breath. "Weak, but real. Whatever's wrong with him, it's not this building's doing. Not directly, anyway."

"Can you help him?" I ask.

"I can try. I don't have half of what I'd actually need in a real hospital. I can stabilize. Maybe. It depends what's actually wrong with him, and I don't have the equipment to find that out properly." She's already working anyway, hands sure despite the obvious strain in her voice. "Someone find me actual supplies. Gauze, anything sterile, anything at all useful. This building's playing hospital. Maybe it left real ones lying around somewhere too."

Chris and Jung-su split off immediately, moving fast through the ward's side rooms, and I stay close to Ha-eun, watching her work, understanding for the first time just how much weight she's been quietly carrying every single stage since the moment we met her.

"You're good at this," I tell her.

"I'm good at pretending I'm not terrified while doing this. Different skill. Related, but different." She doesn't look up from her work. "Actual doctors would tell you the same thing, if they were honest. Competence and fear aren't opposites out here. They're just two things you learn to hold in the same hand."

* * *

A different bed catches my eye a few curtains down, and this time I make myself walk toward it instead of away, forcing my own dread down far enough to actually look.

The bed is occupied. The patient in it isn't breathing at all, chest perfectly, unnaturally still, and yet the monitor beside the bed keeps tracing its calm, even green line like nothing at all is wrong.

"That's the trick," I say, out loud, mostly to myself. "It's not hiding the wrongness. It's showing it to us and betting we won't notice, because the machine's telling us a story that contradicts what our own eyes are seeing."

"Same trap as the mascot, in a way," Vincent says, arriving behind me, voice tight. "Trusting the wrong sense. Different flavor. Same underlying shape."

"You think it's the same akma? Wearing different rules?"

"No idea. I'd guess not — the mechanism's different enough that it feels like a genuinely different kind of thing. But the lesson's the same one we keep relearning. Whatever this place is, it likes teaching us not to trust our own instincts, over and over, in every shape it can find to do it in."

I don't touch the false patient. I don't need to. I already understand, looking at it, that whatever's actually dangerous here isn't the still body in the bed — it's whatever's using that stillness as bait for the exact kind of person who can't walk past someone who looks like they need help.

People exactly like Ha-eun. People exactly like me.

"Don't touch it," I call back toward the group, loud enough to carry. "Whatever's in that bed, it's bait, not a patient. Leave it exactly where it is."

Su-min's voice, from further down the ward, tight with something close to panic. "There's another one over here. And another. It's not just one fake, it's — there's a whole row of them."

I move toward his voice, careful, scanning each bed as I pass. Row after row, monitors beeping their calm, even lies, patients lying unnaturally still beneath sheets too clean for anyone actually dying underneath them.

"How many," I ask, once I reach her.

"I stopped counting after ten," she says, voice shaking. "I didn't want to know the actual number."

Jung-su and Chris return from their supply run, arms full of gauze and bandages scavenged from a side room that turned out, mercifully, to be real. "Found actual supplies," Chris reports. "And something else. There's a whole other wing past the nurses' station. More beds. More of that same steady beeping, except louder there. A lot louder."

"Louder how," I ask.

"Like whatever's making that sound is a lot more concentrated on that side of the building." He glances back the way he came, something uneasy crossing his face. "Didn't go further in alone. Figured that was exactly the kind of decision that gets people killed in a place like this."

"Good call," Jung-su says.

Ha-eun looks up from her patient, sweat on her brow, focus never wavering. "He's stabilizing," she reports. "Slowly. I need more time before we move him anywhere."

"Take the time you need," I say. "We'll hold the room for as long as it takes."

The tier appears only after Ha-eun stabilizes the first real patient.

STAGE 7 — TIER D.

REAL PATIENTS STABILIZED: 1

The number proves the rescue mattered. It still does not tell us how many real patients remain.

"Tier doesn't mean what it says," I tell Su-min, before he can ask, the same lesson I've repeated in every room since Namsan. "This place is still dangerous regardless of what that number claims."

"I figured that out already," he says. "Guess I was hoping just once the number would actually be honest."

"So was I. Hasn't happened yet."

Vincent's already running numbers under his breath, glancing toward the deeper wing. "If the beeping's louder there, and louder correlates with concentration of whatever's actually generating the illusion, that's probably where the real threat is waiting. Structurally, that tracks with everything we've seen so far tonight."

"Then that's where we're headed. Once Ha-eun's patient is stable enough to move."

"Copy that," Jung-su says, already positioning himself near the door, watching the corridor beyond for any sign of movement.

Areum checks her own reflection in a dark monitor screen out of habit, catches herself doing it, and steps back from it fast, jaw tight. "Old habit," she says, before anyone can ask. "Learned better a while ago. Still catches me sometimes anyway."

"Understandable," I tell her. "This place makes old habits feel dangerous again in ways that aren't fair to expect anyone to fully unlearn."

"Doesn't stop me hating it every single time it happens."

"No," I agree. "It really doesn't. Doubt it ever fully will."

Somewhere past the nurses' station, deeper in the wing Chris just described, the beeping grows louder still, layering over itself, dozens of steady false heartbeats all counting down toward something none of us have found the shape of yet.

Nine names now walking together into whatever comes next, and I intend to keep every single one of them.

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