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LOTM: Reverse The River (LOTM x Reverse: 1999)

Chapter 3 / 64

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Chapter 3 of 64

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Chapter 3: The River and the Field of Flowers

LOTM: Reverse The River (LOTM x Reverse: 1999)

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Not light.

She would never be able to describe it as light.

Words crawled across the glass like something written from the wrong side, backward and burning, spilling past the frame of the mirror itself as though the glass were no longer large enough to contain what it had found.Full novel: LOTM: Reverse The River (LOTM x Reverse: 1999) — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

Even as she stared at them, uncomprehending, she heard him make a sound that was not his careful, measured voice at all, a single word that she barely heard, mumbled, confused, almost frightened.

“-des?”

She did not have time to ask what it meant.

The room was already gone.

There was no falling.

There was simply elsewhere, and elsewhere was a river.

It stretched in every direction at once, colorless in a way that was not only because of the absence of light but more so with the absence of the concept of “color” at all.

The air, if it could be called air, carried no temperature, no scent, no weight against her skin, and yet she understood, in the way one understands things too large for reason, that this was not a place her body had traveled to.

Her body was still in that chair, in that ordinary room, and something else of her, something that had been called Kakania, that had been called Klara Vingler, that had answered to doctor and Fräulein and a hundred smaller names across a hundred smaller rooms, was here instead, coming slowly, methodically, apart at the seams.

The river did not move so much as suggest the memory of movement, a current felt rather than seen, and along its length she began to perceive things that had no business being perceived at all.

Not shapes drowned in the water, but the absence where shapes had once been, the outline of things the universe itself had already finished forgetting.

She saw the deaths of concepts that had never had names to lose in the first place, ideas unmade before language existed to describe their unmaking.

She saw what waited past the last edge of everything anyone had ever bothered to map, patient and vast and utterly without malice, because malice would have required it to notice her at all, and it did not, would never, could not, no matter how loudly some small drowning part of her wanted it to.

And beneath all of it, folding toward her like a tide finally deciding to go out, a soothing orange twilight.

Warm.

Gentle.

Terribly, unbearably kind, the exact color of being told it’s alright now, you can finally rest, that the wanting and the working and the deciding could all simply stop, and nothing would be lost in the stopping because there would be no one left to have lost it.

She understood, distantly, that she was not simply dying.

Dying would have been a mercy, a door that closed but left a shape behind it, a grave, a name carved somewhere, someone left standing over it to grieve.

This was simpler and immeasurably worse.

This was the concept of her being folded closed at the seams, the very fact that she had once existed being quietly, gently withdrawn from the world’s accounting, so that soon there would be no absence to notice, no gap where a person used to stand, because there would be no one left who remembered there had ever been anything there to miss.

She had almost stopped being able to want anything at all when she heard him.

Not the polite, measured man in the study.

Something underneath that voice, close now, sharper, urgent in a way the man behind the desk had never once allowed himself to sound, saying a name so much larger than the one she’d spoken that the first seemed, in hindsight, like a child’s toy set down beside it.

She could not have refused to say it even if some sliver of her had still known how to refuse anything at all.

“The Singularity Waiting at the End of Space and Time!”

She heard herself scream without a voice, though nothing in her had chosen to.

“The Executioner of Destiny who will Shatter the Pillars of Existence!”

“The Finality that will Annihilate the Astral, Spirit, and Physical Worlds!”

“The Ultimate Finale, the Great Termination of the Cosmos, the End of All Things!”

__________________________________________________________________________________________________________

She woke among flowers.

Not the flowers of any garden she’d tended or been given.

She knew these from older, colder reading, the kind of book kept on a high shelf for its illustrations rather than its usefulness.

Pale asphodel stretched around her in every direction, stalk after stalk of it, the flower the old Greeks had planted across the meadows of their dead, where shades that had been neither wicked nor worthy enough for anything grander were left to wander forever without memory of who they’d been.

It seemed, lying there, a cruelly appropriate detail.

Amaranth threaded between the asphodel stalks, small and defiantly unfading, the flower legends swore could not wilt, once laid on the graves of the greats because grief for them was meant to outlast ordinary grief the way the flower outlasted ordinary flowers.

And nearer to her hand, low against the ground, a scattering of cyclamen bowed on their stems, each one caught in the same permanent, gentle attitude of farewell.

The sky above the field, if it could be called a sky, held no sun and needed none; orange twilight came from everywhere and nowhere at once, soft and directionless, the kind of illumination that made her distinctly aware she was not looking at anything so simple as daylight.

She tried to remember what she had seen.

The vastness, the voice that had pulled a name out of her too large to belong to any man, she reached for the memory of it and found only the shape of having known it, the way one reaches for a word gone missing from an otherwise familiar sentence.

Gone.

Not forgotten in the ordinary sense, where a thing simply fades.

Removed, deliberately, cleanly, the way a hand smooths a wrinkle from a bedsheet.

Behind her, close, something struck the side of a boat against a shoreline she hadn’t known was there.

She turned, too fast, her whole body flinching toward the sound before her mind had finished deciding to move, and found nothing.

No boat.

No water lapping at any bank, no shore for a bank to belong to.

Only the flowers, unbothered, stretching pale and patient in every direction, and yet she could still feel it, the specific pressure of being observed by something standing exactly where her eyes refused to find it, patient in the particular way that only very old, very large things are ever patient, as though it had all the time that had ever existed and saw no reason to spend any of it announcing itself to her.

When she turned back toward the flowers she first saw, they were simply there, as if they had always been, as if her turning away had been the only thing keeping her from seeing them at all.

A wolf pup, black furred, small enough that its ears still looked too large for the rest of its skull, lay curled beneath a stroking hand, eight thin legs folded beneath its small body with the unconcerned symmetry of a spider settling in to rest.

Beside it knelt a man in flowing black robes with hints of orange on the inside, a silver mask covering his face entirely, featureless but for a lifelike single vertical eye etched into the metal of the forehead, closed, as if merely sleeping rather than absent altogether.

Around his neck, coiled loose and content as a house cat curling into a lap, a small winged serpent dozed, its wingtips oiled a deep, glistening yellow, rising and falling faintly in time with some slow, private breath.

He stroked the pup’s head with slow, absent fondness, the unhurried gesture of a man whose thoughts were somewhere else entirely, somewhere far past the field, past the river, past whatever small, singular thing had just been dragged, protesting, back from the edge of unmaking.

None of them so much as glanced her way.

Full novel: LOTM: Reverse The River (LOTM x Reverse: 1999) — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
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