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Outer Banks: IM Rafe Cameron

Chapter 10 / 57

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Chapter 10 of 57

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Chapter 10: Nineteen Becomes Fourteen

Outer Banks: IM Rafe Cameron

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The numbers on the calendar were starting to feel like a countdown on a bomb he couldn’t see.

He sat at the desk in Rafe’s room with the calendar turned toward him and a legal pad open beside it.

Yellow, cheap, the same stock his old-life paralegal self had burned through on deposition notes, stacked in piles on a desk in a windowless office where he’d spent five years of a life that felt more like a dream every day.Full novel: Outer Banks: IM Rafe Cameron — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

The pen was a Cameron pen, heavy silver, delivered in a box with a ribbon on it.

The paper being cheap was deliberate.

Expensive paper implies permanence.

Cheap paper burns.

The window was open to the sound and salt air moved through Rose’s white linen curtains.

Outside, the water was bright, a boat was passing, the island performed its usual beauty, indifferent to the clock ticking inside his skull.

In handwriting still arguing with a body that favored its right hand, he wrote down what he knew.

ITEM: Nineteen days from arrival was the date Rafe Cameron shot Sheriff Peterkin.

The date was the seventh.

Today was, counting backward, roughly the twenty-first.

Five days elapsed.

Fourteen remaining.

The math was brutal and simple and the only certainty in a sea of variables he barely understood.

ITEM: The gun.

Bottom drawer of the desk in this room.

Location confirmed by him, to Ward, at Ward’s request.

Ward knows where the weapon is.

Why did Ward need to know?

That question was the first crack in the glass.

A father asking about a gun, normal.

A father laying in a diminished-capacity defense years before anyone touches that gun, not normal.

ITEM: Barry.

The dealer.

The body’s supplier.

Relationship ongoing, toxic, and essential for street-level intelligence if he could work out how to use it without using the product.

Barry was a hazard wrapped around information, and the information was worth the hazard only if he could walk into that trailer and walk out with nothing in his pocket.

ITEM: Ward.

Father.

Architect of a defense that was still theory.

Two data points, the gun question and the attorney meeting on Thursday, pointing at a man pre-positioning legal cover.

Third data point unknown.

The pattern was forming and it was still shapes in fog.

Recognizable.

Not provable.

ITEM: The Pogues.

John B, Kiara, Pope, JJ.

The show’s center.

The Royal Merchant hunt already in motion, and he knew from the old life where it led.

To the cross, to the church, to the Bahamas, to a storm that changed everything.

The gold was not his problem.

The gold was theirs.

His problem was a sheriff, and that sheriff’s survival, and the machine his father was assembling around him.

He couldn’t be a Pogue ally.

He couldn’t be Pogue-adjacent, not with this name and this face and this body’s reputation for violence.

He could stay out of their way.

Later, maybe, he could help.

Through the floor, Ward’s voice came up from the study, low and unhurried, the cadence of business.

“No. No, tell him fourteen percent is a number somebody made up in a room.”

A pause while the other end talked.

“Then let him say it to my face at the club Friday. He won’t. That’s the whole point of a letter.” Another pause.

“I don’t want the fight, Danny, I want the dock. There’s a difference and it’s about eleven months long.”

A longer pause.

Then, softer, and that was the tell: “Hey. How’s your mother doing? Good. Good. You tell her I asked.”

He listened to the cadence more than the words.

His father negotiating was his father at his most honest.

Patient, warm exactly where warmth paid, entirely unbothered by anybody else’s schedule.

Somewhere in that same voice was a plan for a morning fourteen days out, and it would be handled with the same tone, and that was the part that sat wrong in his chest.

He drew a line across the page.

The line came out straight.

His hand was steadier than it had been on day one.

Under it, in capitals, he wrote PLAN A.

Be sober.

Be elsewhere.

On the morning of the seventh, be at the boathouse or the clinic or anywhere that isn’t the place where the shooting was supposed to happen.

Absence is the alibi.

If Rafe Cameron isn’t there, Rafe Cameron can’t shoot anybody.

Clean plan.

Simple plan.

Exactly the plan a man who had watched a television show would make, resting on a premise he hadn’t examined yet: that the script was a fixed machine which would keep running as filmed unless somebody stepped in front of it.

That the shooting needed Rafe Cameron to occur.

That Ward was depending on his son, that the trap was single-trigger, that pulling the trigger out of the mechanism stopped the mechanism.

The flaw was invisible because seeing it required facts he didn’t have.

That Ward wasn’t depending on him.

That Ward had alternatives, men who could be hired, professionals who could be called, contacts running well past this island and well past the show’s script.

That the shooting could happen without him in it.

Those facts were coming, from a fragment Barry would drop, from a pattern he’d catch in the dark of the boathouse.

They weren’t here yet, and without them Plan A looked like a solution instead of the delay it was.

He wrote Be sober, be absent, let the morning pass and boxed it.

The box was a commitment.

The commitment was a mistake.

It would cost him days he couldn’t spare and force him to build something real in a hurry later.

He didn’t know that.

The not-knowing wasn’t a failure, just the condition of standing inside a world bigger and messier than the show had ever bothered to film.

He closed the pad.

He put the pen back in its box.

Cameron pen, Cameron box, Cameron desk in a Cameron room.

Everything around him had belonged to the old Rafe, and everything the old Rafe had owned was tainted, and everything tainted was now his to reclaim or throw out.

The bed where the old Rafe crashed after benders.

The closet where he hid bottles.

The desk where he never once sat, because the old Rafe never planned anything.

The old Rafe reacted.

The old Rafe detonated.

This one was learning to plan.

The calendar said fourteen days, calibrated to the seventh, the day he was supposed to pull a trigger he would never touch.

Downstairs the call ended.

A chair moved.

Wheezie was at school.

Sarah was wherever Sarah went when she wasn’t at Tannyhill, which was everywhere, always, and for good reason.

She had escaped this house the only route a Cameron daughter had, by finding a world outside it and refusing to come back.

He made food in the kitchen.

Real food, protein and bread and vegetables, a meal every three hours whether he wanted it or not, per Reynolds.

He ate standing at the counter looking out at the water.

The anhedonia was still there, a gray filter over everything.

The sandwich registered as texture rather than flavor, the idea of food instead of food.

But the filter was thinner than last week.

The gray was lifting by increments and every increment counted as a win.

Afternoon practice.

Reynolds had the double down off the dock, a towel over one shoulder, sunburned to the collar from a morning that started at six.

“You eat?”

“Sandwich. Turkey, and I put spinach on it, which I want noted.”

“Noted and ignored.” Reynolds crouched to check a rigger bolt.

“Sleep?”

“Four hours. Maybe five.”

“Which one.”

“Four.”

“Mm.” He tightened the bolt a quarter turn.

“That’s the part that’ll take longest. Everybody thinks it’s the wanting. It’s not, it’s the sleep. Wanting shows up loud and leaves. Sleep just quietly refuses you for weeks.”

“You’ve seen this before.”

“I’ve had four hundred kids on this dock.” Reynolds stood and squinted out at the chop.

“You learn what tired looks like. There’s the kind you fix with a nap and the other one. You’ve got the other one.”

He didn’t answer that.

There wasn’t a good answer that wasn’t a confession.

“Water’s messy today,” Reynolds said.

“Wind’s against the tide out past the marker. We’ll stay inside it and do fours off the paddle. You’re not racing anybody this week.”

“I could race.”

“You could survive. That’s a different verb.”

“Same finish line.”

“Not remotely.” He straightened up and pointed a finger at him.

“Racing’s one day. Surviving’s every day, and the second one builds the first one, and there is no version where you skip to the part with the medal. Ask anybody who tried.”

“You sound like a poster.”

“I’ve been a poster for twenty-three years, it pays about what you’d think.” He handed over the towel.

“Wipe the seat, it’s got dew on it. And listen. Whatever you’re carrying up at that house, it doesn’t come in the boat. Boat’s four hundred pounds of nothing but the count. That’s the only good thing I have to offer anybody, so take it.”

“Yes, sir.”

“Don’t ‘sir’ me, I work for your father’s club.” Reynolds got in the stern.

“Set it up. Feet in.”

They pushed off.

The count started, and it was true what the old man said, the boat had no room in it for a calendar.

Catch, drive, recover, catch.

Twelve strokes in, the plan lost its grip on him.

Twenty in, the craving was down to background noise on a frequency he had learned to tune out.

The scaffold was working.

The dawn rows, food every three hours, forced sleep and forced schedule and the forced normalcy of a life that had never once been normal.

The body was learning a new rhythm and the rhythm held.

He thought about the old life sometimes when the quiet got deep enough.

The paralegal’s desk.

Coffee like burnt plastic.

A supervisor who had been patient and kind and never understood why his best reader seemed so bored.

That life had been small, and it had handed him the only tools now keeping him alive: a contract-reader’s eye, the ability to see architecture inside language, the patience to sit for hours and trace a pattern through paper until the pattern turned into a plan.

Skills that had felt useless then.

Why does a paralegal need to be this good at reading contracts.

They weren’t useless here.

They were the whole arsenal.

Fourteen days to get the body clean enough that it wouldn’t betray him in a crisis.

Fourteen days to learn whether Ward was really building what he thought.

Fourteen days to make sure that on the morning of the seventh, Sheriff Peterkin was somewhere else, or guarded, or warned, or somehow safe.

The Pogues stayed a question mark.

They didn’t know him.

They wouldn’t trust him.

They had every reason to see Rafe Cameron coming and scatter.

But they were resourceful and already in motion toward things he knew about and couldn’t touch.

The gold, the compass, the Denmark Tanny letter.

The show’s engines, and they would keep turning no matter what he did.

He couldn’t steer the treasure hunt.

Later, carefully, when the name carried less warning, he might intersect it.

Halfway up the return leg Reynolds called the rate down and let the boat run.

“Rafe.”

“Yeah.”

“Nine days.”

“What?”

“Nine days you’ve been on this dock in a row. I keep notes, I told you.” The oars dripped.

“I’m not asking what for. I’m telling you the number, because you don’t count the ones you get right and somebody should.”

“It doesn’t feel like nine.”

“It never does. Nine feels like one, and then one day two hundred feels like something.” He set his blades flat.

“Take it in on the paddle. And Rafe. Ten tomorrow.”

Fourteen ahead.

Nine behind.

Two counts running against each other in the same head, and only one of them was on paper.

They took it in.

He racked the shell and rinsed it down and walked up to the lot with his hands stinging and his shoulders loose.

The plan was clean.

The plan was simple.

The plan wouldn’t survive contact with Ward Cameron.

═══ THE INHERITANCE ═══

THE MAP — full.

He knows the date, the shooter, the whole first tier of what his father built.

THE PLAN — be sober, be absent, let the morning pass without him in it.

THE CLOCK — fourteen days.

COST, none he can see.

Which is what a bad plan feels like from inside.

═══════════════════

hey — quick one before you close the tab.

if the cliffhanger is killing you, the future already exists.

you just need a ticket through.

see you in the next loop.

━━━━━━━━━━━━━━━━━━━━━━━━━━━━

P.S.

— in a parallel timeline, the rest of this story runs completely free on unwrittenrealm.com.

just saying.

that timeline also has more chapters.

Full novel: Outer Banks: IM Rafe Cameron — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
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