← Novel

Someone Else’s Name

Chapter 5 / 33

‹›

Chapter 5 – Ethan

Someone Else’s Name

He didn't sleep.

That was the first thing, not sleeping, which lasted until approximately four in the morning and then became something that wasn't quite sleep and wasn't quite waking, a shallow, restless in-between that left him more tired at six than he'd been at two. He lay in Maya's bed in Maya's room and stared at the ceiling and cataloged things.

The ceiling was white. His ceiling at home was also white, but a different white, and it had a water stain in the shape of something that might have been a horse if you were generous, a legacy of a pipe that had leaked three winters ago and been fixed but never repainted. This ceiling was just white. Perfect, uninterrupted white, the ceiling of a room where nothing had ever gone wrong, or if it had, it had been dealt with immediately and completely.

The room was quiet in a way his room wasn't.

His room was never fully quiet the Calloway house produced a continuous low ambient noise even in the middle of the night, the particular sound of five children and two adults occupying a space that was slightly too small for all of them, the house breathing and settling and occasionally his brother Marcus coming home late and not being as quiet about it as he thought he was. He'd slept inside that noise his whole life and hadn't known it was there until it wasn't.

This quiet had texture. He could hear the house's systems: the furnace cycling, a refrigerator somewhere below him, the occasional tick of the structure adjusting to the cold. But no people-noise. No Marcus. No, Becca was arguing with herself in her sleep, which she denied doing. There were no small sounds of a house too full of people trying to be simultaneously present and private.

Just the furnace. Just the cold outside the window. Just him.

He looked at the ceiling for a long time.

Maya's room revealed itself to him slowly in the dark, the way rooms did when you lay in them long enough, the way shapes became objects, objects became things. He'd had a general impression when he'd come in: immaculate, organized, the room of someone who managed their environment the way they managed everything else. But the dark revealed the details to him.

A desk against the wall with the chair pushed in exactly perpendicular, the kind of exactly that wasn't accidental. A corkboard above it was dense with things he couldn't read from the bed papers, photos, what might have been a schedule or a map or both. Bookshelves, and this surprised him, full ones, not decorative-full but actually-full, the kind of full where books were doubled up and turned sideways to fit. He'd have to look at those in the light.

The cheerleading uniform was on the back of the door where he'd hung it when he'd come in. He'd come in through the front door, and Maya's mother had called from the kitchen Maya? How was the game? And he'd said good in Maya's voice, and her mother had said there's food if you're hungry, and he'd said I'm okay, I'm tired and gone upstairs and closed the door and stood in the middle of Maya's room and breathed for approximately five minutes before he could do anything else.

Good, and I'm okay, I'm tired. Eight words. That was the complete record of his first conversation as Maya Sorensen, and he'd survived it, and he'd felt like he'd survived something much larger than eight words, which probably said something about the state he was in.

Her mother's voice had been warm. That was the thing he kept returning to the warmth of it, the quality of a parent's voice when they heard their child come through the door, the involuntary relaxation in it, the oh good, you're home. He'd heard that quality of voice before, in theory. His mother used it too.

She used it when his siblings came home.

He'd never heard it directed at him with quite that immediacy. That relief. As if his arrival had resolved something that his absence had left open.

He lay in the dark and thought about it, tried not to, and thought about it anyway. It wasn't self-pity. He was clear on that. It was just information, the same as the water stain and the quiet and the books doubled up on the shelves. He was taking inventory. That was all.

At six fifteen, he gave up on sleeping entirely and sat up.

The shoulder announced itself immediately with that low grinding ache, present and waiting, the first item on a list of physical information that arrived each morning before anything else. He'd felt it last night, had cataloged it. In the daylight, in the early, grey light coming through the curtains, it was more precise. Right shoulder, deep in the joint, the kind of pain that wasn't sharp so much as constant, a thing that had been there long enough to establish residency.

He moved it carefully. Rotation was limited, but the extension felt fine. The motion of a freestyle stroke, which he knew from watching Drew and from the institutional knowledge of someone who'd read enough about swimming to understand the mechanics that motion produced a catch, a brief resistance, a sharpening that faded to something duller when he stopped.

He thought: that's not nothing.

She'd said, “don't worry about it.”

She'd been not worrying about it for a while. He could almost feel how long.

He stood up, which required a moment of recalibration of the center of gravity again, the weight distribution he'd been navigating since last night, the full muscle engagement of a body that wasn't his, standing up, from a position of rest. He was getting marginally better at it. Marginally

He went to the mirror on the back of the closet door.

He stood in front of it and looked.

He'd been avoiding this. Last night he'd changed into the pajamas he'd found folded on the pillow which he'd thought about for approximately thirty seconds, the strangeness of it, the intimacy of it, and then had dealt with practically because there was no other option and had gotten into bed without looking in the mirror, some instinct telling him that the mirror was a thing he needed to be rested for. He was not rested. But six hours of ceiling-staring was apparently what he was going to get, and the park was ninety minutes away, and there were things he needed to understand.

He looked.

Maya Sorensen looked back.

She was... he was... this was the face he'd seen from the outside last night, under the bleachers, in the parking lot, and he'd known intellectually what he was looking at, but the mirror was different. The mirror was the thing you used to see yourself, and this was not himself and the disc; connect those two facts, and, standing here in the early morning light with the furnace cycling below him, the most disorienting thing he'd ever experienced. He'd had a fairly disorienting twelve hours.

He made himself look steadily.

Dark hair, slightly wavy, loose from whatever it had been in last night, falling past the shoulders. Dark eyes, he'd known that, he'd looked into them in the parking lot, but from the inside looking out, they were just eyes, just the mechanism of seeing, and from the outside in the mirror, they were very direct, the kind of eyes that registered things carefully. Good bones, as his mother would have said, which was a phrase he'd always found slightly odd and now found oddly useful. A face that was used to being looked at, not in a vain way, just in the way of someone whose face had been a public object for long enough that it carried itself accordingly.

He raised his hand. Maya raised hers in the mirror.

He turned his head left. She turned hers.

He thought: somewhere across the city, his own face is doing this too. Looking in a mirror that isn't hers at a face that isn't hers and turning it left and right and trying to understand it. He hoped she was okay. He didn't know what okay looked like for Maya Sorensen in private. He was starting to think it looked different than okay looked for everyone else.

He put his hand over his face and stood there for a moment in the self-imposed dark, breathing, breathing, okay, thinking: This is the situation. This is what the situation looks like.

He lowered his hand.

She was still there. Of course, she was still there.

He thought about what she'd said last night, “just act normal” and thought about what that meant in this kitchen, with her parents, when he had a name and a general shape of a life observed from a distance through Drew but no working knowledge of it. He didn't know how she took her coffee or if she even drank coffee. He didn't know if she ate breakfast. He didn't know what version of herself she brought to the kitchen table, what she talked about, what she didn't.

He knew the schedule. She'd sent it to him in a text at one in the morning, a voice memo, actually, which he'd listened to lying in the dark, his voice from his phone's speaker describing her own life in the quick, organized way she apparently did everything:

Practice Monday, Wednesday, and Friday at six thirty AM. Games Friday night. Cheer practice Tuesday, Thursday four to six. Regionals in six weeks, you need to know the full routine I'll teach you. Swim, the coach is Walsh. He's fine, just do what he says and don't be late. Connor... just... I'll explain Connor. My parents are David and Renee. Dad works early, Mom works from home, they're normal, just be normal. Drew, you know. Don't tell Drew.

He'd listened to it twice. Then he'd lain there in the dark and thought about the phrase just be normal and how it assumed that normal was a fixed state rather than a performance specifically calibrated to a particular audience. He'd been living his normal for fourteen years. He just had no idea what hers looked like.

He looked at himself in the mirror one more time.

Then he went to find the kitchen.

The house was bigger than his, not dramatically not in the way of houses that were trying to make a point about themselves but in the way of a house where the space had been planned rather than accumulated, where rooms had a designated purpose and stayed in it, where the hallway didn't have three coats on hooks that were supposed to be in the closet and a lacrosse bag that had been living on the floor since October.

He came down the stairs carefully, getting the feel of the different tread depths than his at home, his body recalibrating again, and followed the smell of coffee to the kitchen.

Maya's mother was at the counter with her back to him. Renee. She was in work clothes already, it was six thirty in the morning, with her hair up and a coffee mug in one hand and her phone in the other, reading something, and she had Maya's posture, or Maya had hers, the same quality of organized uprightness, the spine that didn't slouch even in private.

She turned when she heard him.

Her face did the thing. The thing he'd heard in her voice last night, that involuntary relaxation, the oh good. She looked at her daughter's face, and her whole expression shifted slightly toward a softer register. Ethan stood in the kitchen doorway, took it, and felt it land somewhere in his chest, in a way he wasn't prepared for. He'd been in this body for less than twelve hours and it was already doing things to him that his own body had never done — receiving things, small warm things, that he didn't know how to process.

"You're up early," she said. "How's the shoulder?"

He went very still.

She knew. She knew about the shoulder, which meant Maya hadn't kept it as private as she'd kept it from the coach, from her teammates, from everyone at practice. Her mother knew, had been watching, and had been what? Waiting. Worrying quietly in the way of parents who knew their child well enough to know when not to push.

"It's okay," he said.

She looked at him for a half second with the look of a parent who knew it's okay was not an answer but had decided not to press it this morning. "Water?"

"Please," he said.

She poured it. Handed it to him. He took it with his left hand, the good shoulder side, without thinking, and something in her face shifted again, barely, just a fractional thing, and he thought: she noticed that. She noticed the left hand. She was keeping track.

He sat at the kitchen table and held the glass and looked at the kitchen, clean and organized, with a calendar on the wall dense with color-coded entries, a fruit bowl, and a stack of mail sorted by size, and listened to the house, which was quiet and ordered and nothing like home.

Maya's father appeared briefly at seven, car keys in hand, said, "Morning, sweetie," kissed the top of Ethan's head, and was gone through the door before Ethan had fully processed what had happened. He sat with the ghost of that touch on his borrowed hair and looked at his water.

He thought, with a suddenness that caught him off guard: Maya is in my house right now. Maya is sitting at my kitchen table, in my noise, inside my family's particular chaos, and she has no color-coded calendar and no fruit bowl and no mother who noticed which hand she used. He wondered how that was going for her. He suspected it was a lot.

Morning, sweetie.

He thought about his own father, who was not a bad man and not an absent man, who coached Marcus's rec league team and had taught Becca to drive and who called Ethan hey, kid in the general way of a man who had more children than he'd entirely planned for and was doing his best with all of them.

He thought about morning, sweetie, and what it would be like to hear that every morning. The casual ease of it. The assumption of presence.

He thought: stop it. This isn't yours.

He thought it twice, because once wasn't enough.

He drank his water.

At seven fifteen, he said he was going for a walk, and Maya's mother said, "Okay, back for breakfast?" and he said, "Maybe, I might meet someone.”

She said, "Drew?" with a smile that suggested she found this unremarkable and normal, her daughter occasionally meeting Drew for early morning whatever.

He said, " Yeah, " because it was the closest available truth, and she said, "Say hi from me” and he went out the door.

The morning was cold and clear, the overnight frost still on the grass, the street empty and blue-shadowed. He stood on the porch of Maya's house, his house, for now, for the foreseeable future that he was not letting himself look at directly, and breathed the cold air in and the wrong smell of it, the different neighborhood smell, and looked at the street.

Somewhere across the city, his body was waking up in his room. Maya was lying in his bed, looking at his ceiling, breathing his air, listening to his house.

He wondered if she'd slept.

He wondered what she'd heard, waking up in a Calloway house on a Saturday morning, when Marcus got up for his run, and Becca started her music too early, and his mother called up the stairs about breakfast. He wondered if she'd lain there in the noise of it and found it as disorienting as he found this quiet.

He put his hands in Maya's jacket pockets and walked toward Clement Street and the park with the broken swing and tried to learn the weight of the body he was carrying.

It was six blocks. He counted them.

‹ PreviousNext ›