← Novel

The Last Debug: I Rewrote My Death

Chapter 10 / 64

‹›

Chapter 10 of 64

‹›

Chapter 10: Three Seconds Early

The Last Debug: I Rewrote My Death

🌐Novel TranslateRead raw Chinese web novels in instant English — free Chrome extension.Add to Chrome

Mira’s voice arrived before her mouth moved.

"Kael."

The sound reached me three seconds early. Clean. Unmistakable. Separated from the movement that should have created it. Then her lips parted, and the same word came again, delayed, as if the room were correcting itself badly.Full novel: The Last Debug: I Rewrote My Death — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

I stood beside the empty cot, staring at her.

She noticed.

"What?"

The first version of the question had already passed through my head. The second came from her actual mouth.

"Say it again."

"Say what again?"

"That."

"I said your name."

"No. Before that."

Mira looked at Nadia. Nadia looked at Dana. None of them spoke.

The wall behind the cot still carried the burned sentence.

ELIAS WAS NEVER THE ONE WHO LEFT.

Beneath it:

ASK WHO CAME BACK.

Dana took one step toward the doorway.

"We’re leaving."

The decision sounded practical. That was how Dana made fear useful.

Nadia put her phone into her coat pocket.

"Agreed."

Mira didn’t move. Her eyes stayed on the empty cot.

"Where did he go?"

I looked at the pale mark on my wrist.

"Somewhere the shop can’t follow."

"That doesn’t answer the question."

"No."

"Then answer it."

I wanted to tell her I didn’t know. The answer formed in my mind three seconds before I said it.

"He left through the memory."

My actual voice followed. The same words. The same rhythm.

The repetition made Dana turn.

Nadia pulled out her phone again.

"You said that twice."

"I know."

"No, you don’t."

She held the screen between us. The recording showed the back room from an angle near the counter. My body stood beside the cot. Mira at my left. The patient had already disappeared before the sentence appeared on the wall.

Then my head turned toward the camera.

For one frame, my face was not mine. Blurred, but the shape was clear enough. A narrower jaw. Longer hair. A cut above the eyebrow.

The boy from the yellow room.

Nadia stopped the video.

"Was that Elias?" Dana asked.

"I don’t know."

"You’re using that answer a lot."

"It keeps being true."

Mira took the phone from Nadia. She watched the frozen frame without blinking.

"Go back."

Nadia rewound it.

"Again."

The video played. My face changed for less than a second.

Mira’s hand tightened around the phone.

"Again."

On the third viewing, she looked away before the frame arrived.

I saw the reaction and felt the memory open.

Not like a door. Like a wound remembering the object that made it.

A basement. A glass wall. Mira as a child, standing on the other side with one hand pressed against it.

Three seconds.

Then I was back in the shop, and my knees hit the floor.

Dana caught my right arm. My left hung at my side. Small. Useless.

"What happened?"

"Mira was there."

"I know. She’s standing right beside you."

"No. Before."

Mira’s face had gone pale.

"What did you see?"

"You."

"That doesn’t narrow it down."

"You were outside the room."

Her fingers closed around the phone.

"Which room?"

"The yellow door."

The silence after that was different from the others. It had a shape. It belonged to a fact someone had kept hidden long enough for the hiding to become part of them.

Mira handed the phone back to Nadia.

"I remember a basement," she said. "I told you that."

"Not the glass."

"No."

"Not the room."

"No."

"Not the boy."

Her eyes met mine.

"I remember a boy."

"Was he Elias?"

Mira’s mouth opened. The answer arrived in my mind before she spoke it. A broken echo from three seconds ahead.

"I don’t know."

The words reached me early. Then her lips moved.

"I don’t know."

The answer landed harder than it should have. Not because she was hiding something. Because part of her genuinely could not tell whether the memory belonged to her.

Dana moved between us.

"We can interrogate the past after we’re somewhere that isn’t actively rewriting the present."

The shop lights flickered.

Once. Twice.

On the third flicker, the room changed.

I was sitting behind a steering wheel. Rain hammered the windshield. My hands were smaller. The dashboard clock read 02:13. A child sat in the back seat, wrapped in a blue blanket.

Someone occupied the passenger seat. I could not see their face.

"Don’t stop," the passenger said.

The voice was my father’s.

I looked at the rearview mirror. The child looked back.

He had my face.

The memory ended after three seconds.

I returned standing beside the cot, my right hand pressed against the wall. My left arm had moved on its own again. It was reaching for the door.

I pulled it back.

Mira was saying something. Her voice came late.

"What did you see?"

"A car."

Nadia took out a small notebook.

"Where?"

"On the road."

"Which road?"

I looked at the red sentence behind the empty cot.

"The one my father told me not to stop on."

Dana’s expression hardened.

"Your father was in the car?"

"I heard his voice."

"That isn’t the same thing."

"No."

Mira stepped closer.

"Who was in the back seat?"

I looked at her. The question arrived three seconds early. The answer arrived with it.

"Elias."

Then I heard the question from her actual mouth.

"Who was in the back seat?"

My breath caught. I answered again.

"Elias."

The room did not flicker this time. It corrected itself around the name.

Nadia wrote it down.

"Elias was the child?"

"I don’t know."

Mira closed her eyes.

The first version of her next sentence reached me before the movement of her lips.

"Then why does the name hurt?"

Her actual voice followed three seconds later.

"Then why does the name hurt?"

She opened her eyes. She had heard it too. Not the early version. The wrongness in the delay.

Her face changed with the realization that the timing was no longer limited to me.

"How long has it been doing that?"

"Since the house."

"Why didn’t you tell me?"

"I didn’t know whether it was happening to you or through you."

"That is not an answer."

"It is the answer I have."

Mira stepped closer until there was no room for me to hide behind distance.

"You don’t get to protect me by withholding the shape of the danger."

"I was trying to keep you from becoming part of it."

"You failed."

She placed two fingers against her throat. Checking her own pulse, as if the timing of her voice might be a medical symptom she could measure.

Her hand trembled once. Only once.

Then she lowered it.

"I am scared," she said.

The sentence arrived normally. That made it more honest.

"I know."

"No, you don’t. You know how I behave when I’m scared. That is not the same as knowing what it feels like."

The words reached me three seconds early. When her lips moved, the second version followed.

This time, she did not pretend not to notice.

"I heard it," she said.

"I know."

"Stop saying that."

"I’ll try."

"Try earlier."

The line should have been sarcastic. It was not.

Nadia stopped writing.

"Three seconds," she said. "It’s consistent."

"Not always," I replied.

She looked at me.

"What changes it?"

"The memories."

"How do you know?"

"Because the delay began when I saw the yellow door. It increased when Mira appeared in the memory."

Dana looked toward the sealed doorway.

"So the room is using her to reach you."

"Or using me to reach her," Mira said.

No one argued.

A soft click came from beneath the floor.

The metal door at the end of the storage corridor shifted in its frame. It was not the yellow door. Older. Darker. Built into the concrete beneath the shop.

A thin red line appeared beneath it. It pulsed once.

The mark on my wrist answered.

Nadia raised her phone. The screen showed the video again. The frozen frame of my altered face had changed.

The boy was no longer looking at the camera.

He was looking toward the metal door.

A child’s hand appeared on the other side of the glass.

Mira stepped toward it.

I reached for her. Then stopped myself.

She saw the movement.

"Ask."

"Do you want to go closer?"

"Yes."

"Do you want me beside you?"

She hesitated. The early version of her answer reached me before the actual one.

"Yes."

Then her lips moved.

"Yes."

The second answer sounded steadier. She took my right hand herself.

This time, I let her.

The metal door opened halfway.

A voice spoke from behind it.

Not the patient’s voice. Not mine.

A child’s voice.

"Kael, you have three seconds."

The door handle began to turn. The metal groaned. The red line beneath the door spread across the floor toward our shoes. It stopped at the mark on my wrist.

The pale line beneath my skin answered with a pulse.

For one impossible second, I felt Mira’s fear as if it were my own. Not fear of the door. Fear of choosing the wrong name and losing the right person forever.

Then another memory pushed through me.

A child’s hand slipping from mine. Three fingers at a time. While someone counted down in the dark.

Ten.

Nine.

Mira’s hand tightened around mine.

The voice from behind the door continued.

"Choose who gets to remember."

Full novel: The Last Debug: I Rewrote My Death — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
🌐Novel TranslateRead raw Chinese web novels in instant English — free Chrome extension.Add to Chrome
‹ PreviousNext ›