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Vidhar: Beyond the Maya (Indian Mythology)

Chapter 13 / 69

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Chapter 13 of 69

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Chapter 13: The Last Arrow

Vidhar: Beyond the Maya (Indian Mythology)

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The sun sank toward the western ridge behind the ashram, stretching long, purple shadows across the granite shelf of Mount Mahendragiri.

The wind off the sea had turned sharp and erratic.

It curled through the rocky cuts in the cliff, whipping against Vidhar’s bare ankles with gusts of cold spray.Full novel: Vidhar: Beyond the Maya (Indian Mythology) — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

On the far side of the terrace, forty paces away, the three woven munj grass targets looked like bristling porcupines.

Dozens of reed shafts stuck out from the coiled fibers.

Some had pierced the center; others jutted at odd angles where crosswinds had caught them mid-flight.

Two stray arrows had shattered against the bare rock face below the left disc, their iron heads bent and their split reeds scattered across the stone.

Vidhar stood alone in the center of the terrace, his faded shirt soaked and sticking to his ribs.

His breath came in long, controlled pulls through his nose, drawing upon the quiet reserve of Prana-Vayu (the vital breath of nature) to steady his shaking diaphragm.

Even with the divine stamina in his lungs, his mortal frame was paying for every pull of the fifty-pound bamboo bow.

His left forearm was bruised dark purple where the thick hemp bowstring had whipped his flesh during sloppy releases.

His right shoulder felt like a heated iron wedge had been driven beneath the shoulder blade.

Beside his bare feet lay the reed quiver.

Only one arrow remained.

Vidhar reached down, his dirt-stained fingers picking up the slender reed.

The skin on his three drawing fingers—index, middle, and ring—had hardened under the medicinal ash, but hours of friction against the rough hemp bowstring had pressed deep, yellowed calluses into the pads.

They were numb, stiff, and hot to the touch.

“Look at your shoulder, boy,” Kakbhushundi’s dry voice rattled inside Vidhar’s skull like pebbles shaken in a bronze bowl.

The ancient crow sat perched on the wooden rail of the weapons rack, his oily black feathers fluffed against the evening chill.

“Your right elbow is drooping like a dying vulture’s wing.

If you release this shaft with your collarbones crooked, the bowstring will peel another strip of skin from your wrist, and the arrow will plunge a thousand meters straight into the bay.”

Vidhar did not answer.

He didn’t even look at the bird.

He rolled his right shoulder back to work out the knot, then set his bare feet onto the granite.

He stepped his right foot back three feet, sinking into Alidha (the forward-drawn warrior stance).

His left knee bent forward, taking most of his weight, while his right leg locked straight against the rock.

He pulled his breath down below his navel, anchoring his weight into the mountain until the stone felt solid beneath his bare soles.

He raised the bamboo bow in his left hand.

Without looking down, his right hand slid the reed shaft across the bowstave.

His fingers found the tail of the arrow, felt the cock-feather facing outward, and backed the slot against the bowstring.

Snick.

The nock locked onto the string.

Vidhar pushed the bow forward with his left arm while driving his right elbow straight back.

Crr-eeek.

The seasoned bamboo fought him the entire way.

The draw tore at his sore back, but he kept his shoulders level and drove his elbow back until his right thumb knuckle pressed against the corner of his jawbone, beneath his ear.

He held the full draw.

The leaf-shaped iron head rested steady on his left index finger.

The fletching on the tail touched the corner of his mouth.

Thirty paces away, the red grass knot in the center of the middle target looked tiny in the fading light.

The evening wind blew hard across the terrace, an invisible current that would easily push a light reed arrow two feet off course.

Vidhar narrowed his focus.

Through the subtle clarity of Kala-Drishti (seer’s sight), he tracked the path of the draft as it rolled over the cliff edge.

The true point of impact was not the red knot; it sat three inches lower, slightly to the left.

He tilted his torso from the hips, lowering his aim to meet the wind.

He held the breath in his belly.

Release.

His three fingers relaxed, letting the bowstring slide free.

THWUNG!

The bowstring cracked like a whip.

The bamboo kicked hard against his left palm, and the reed arrow blurred through the air.

Across the terrace, the center target shuddered.

The iron head slammed directly into the split of an earlier arrow, shearing the old shaft down the middle and burying itself three inches deep into the hardwood peg behind the grass.

The shattered halves of the old arrow fell to the dirt, leaving the final shaft standing straight and vibrating in the bullseye.

Vidhar exhaled, lowering the bow as a cloud of white vapor drifted from his lips into the cold air.

“A clean release,” a voice rumbled from the shadow of the cliff.

Bhagavan Parashurama rose from the flat stone where he had sat in silence for hours.

He walked across the terrace, his bare soles silent on the gravel.

He stopped before the center target and tested the embedded arrow with a tug.

The iron head did not budge.

He turned to face him.

“You adjusted for the draft from the sea,” the Gurudev (Teacher) said, his deep voice even and calm.

“You did not aim at what your eyes saw.

You aimed where the wind would carry the iron.”

Vidhar stepped forward, keeping his head respectfully bowed.

“The wind has a grain, Gurudev.

If you fight it, the shaft wobbles.

If you let it carry the iron head, it does the work.”

Bhagavan Parashurama’s expression remained stern, but his dark eyes held a faint glimmer of approval.

“The air is an element, boy,” he said.

“Like fire, water, or earth.

A warrior who curses the wind is like a fool who curses the rain for wetting his hair.

He who understands the breath in his own belly can understand the breath of the mountain.”

He reached out, unstrung the bamboo stave with a quick press of his foot, and set the wood back on the rack.

“The work with the reed is finished for today.

Pull the shafts from the grass.

Check each iron head against a river stone.

If a head is dull, grind the edge.

If a reed is cracked, break it and throw the remnants into the firewood bin.

We do not keep crooked tools.”

“Yes, Gurudev,” Vidhar replied.

By the time Vidhar pulled the arrows, washed the grit from the iron heads in the cistern, and sharpened the burrs on a flat slate, the stars covered the sky.

Inside the sheltered verandah of the ashram, the Havan Kund (sacred fire pit) had been banked for the night.

A mound of grey ash covered the coals of sal wood, radiating steady heat.

The air smelled of wood smoke and warm clarified butter.

Vidhar sat on a woven grass mat near the corner post, wearing his dry woolen sweater over his faded trousers.

His hands lay open on his knees, his palms dark with leathery calluses and stained with stone dust.

Across the hearth sat Bhagavan Parashurama in a full lotus posture on his mat of kusha grass.

His broad back was straight, his hands resting on his knees.

Leaning against the timber pillar beside him was his black iron Parashu (battle-axe), its crescent edge catching the dull glow of the coals.

Between them sat an earthen platter with four thick barley rotis (unleavened flatbreads roasted over hot coals) and a clay bowl of fresh curds mixed with mountain honey, provided by the black cow, Dhenu Saptami.

“Eat, boy,” Bhagavan Parashurama said, gesturing to the platter.

“The bone needs grain to heal the strain of the day.

A disciple who fasts out of pride only weakens the bowstring of his body.”

Vidhar tore into a thick roti, dipping the dense crust into the sweet curds.

The food was simple, but after hours of shooting on the cold terrace, every bite brought warmth back into his sore limbs.

A small flutter came from the bamboo rafters above.

Kakbhushundi hopped down, landing neatly on the edge of the stone verandah two paces away.

The crow cocked his head, eyeing the food platter.

“A fine sight,” the bird croaked mentally.

The son of Bhrigu is turning an iron-age scribbler into a wild man.”

Bhagavan Parashurama didn’t open his eyes, but his voice rumbled quietly.

“A forest hunter shoots to feed his family, Bhushundi,” he said.

“He knows the tracks of the deer and the scent of the tiger better than a hundred scholars in palace halls.

A man who cannot feed himself with his own hands has no business discussing philosophy.”

He opened his eyes and looked at Vidhar.

“Tomorrow, the training takes a different turn,” he said.

Vidhar paused, a piece of roti in his hand.

“A different turn, Gurudev?”

“You have learned how to stand,” the Teacher said.

“You have learned how to seat the shaft and release the bowstring without tearing your flesh.

But you are still shooting with your mortal limbs.

You pull the bamboo with your muscles and release the bowstring with your fingers.”

He picked up a dry twig from the floor, holding it horizontally across the hearth.

“In the higher disciplines of Dhanurveda (sacred art of archery), the wooden bow is only the outer casing—the gross body.

The true bow is the network of Nadis (energy channels) running along the spine: the Ida, the Pingala, and the central fire of the Sushumna.

The true bowstring is the current of your own Prana (vital life-force).”

He snapped the twig in two with a flick of his thumb, tossing the pieces into the coals.

“When an archer masters the physical wood, he can strike a running deer at eighty paces,” he continued.

“He can defend a gate or take an enemy from his horse.

But when corrupt kings march with armies of darkness, when they carry weapons forged with demonic sorcery, physical bamboo is useless.

An iron head cannot pierce an illusion spun by Maya.”

Vidhar felt a chill run down his neck.

He remembered his boon from Lord Narayana (Vishnu)—the quiet immunity to cosmic illusion.

He could see through deceit, but he had no weapon yet to shatter the physical force behind it.

“To face such power,” Vidhar said quietly, “an archer needs more than iron.”

“He needs the sacred word,” Bhagavan Parashurama answered.

“The Mantra (sacred sound vibration).

A physical arrow is merely a hollow reed of earth; a mantra is the divine power of a Deva poured into that hollow.

When the mind, breath, and sound become one, the iron head is no longer metal.

It carries the fire of Agni, the wind of Vayu, or the crushing weight of Varuna.”

He rose to his feet, his towering frame casting a long shadow across the courtyard.

He stepped toward the edge of the verandah, looking out into the starry dark.

“You arrived on this mountain with five great blessings,” he said, looking back over his shoulder.

“The Conqueror of Death marked your brow.

The Mother filled your lungs.

The Goddess of Fortune tied grace to your wrist.

The Crow gave you sight, and the Preserver anchored your soul outside the web of Maya.

But blessings are only fertile soil, boy.

If the farmer does not plow the ground and water the field with his own labor, it yields only weeds.”

He pointed toward the eastern cliffs.

“Tomorrow morning, before the dawn star rises, we leave the terrace.

We climb to the high peak—the Vajra Shila (the lightning-stone peak) at the summit of Mahendragiri.

There, you will learn the first chant of the Agneyastra (the divine weapon of sacred fire).

You will sit upon the bare stone without a bow, and you will learn how to kindle the fire within your own bones.”

Vidhar set his clay bowl aside and stood up.

He brought his calloused hands together, bowing low.

“I will be ready, Gurudev,” Vidhar said.

Kakbhushundi tucked his head beneath his wing, settling into the bamboo rafters with a quiet murmur.

Outside, the ocean crashed against the base of the cliffs, its steady roar carrying the quiet promise of the fierce trials ahead.

Full novel: Vidhar: Beyond the Maya (Indian Mythology) — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
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