← Novel

Count Dracula: Monarch of Blood

Chapter 17 / 55

‹›

Chapter 17 of 55

‹›

Chapter 17: The Command

Count Dracula: Monarch of Blood

📱NovelCodex for AndroidYour library, progress and tokens, in an app made for reading on your phone.Get the app

He did not touch the Baron.

That was the first thing.

He would hold on to that, afterward, when the Warden was shouting at him and Lyra was swearing at her screens and the whole Hidden City was talking about nothing else.Full novel: Count Dracula: Monarch of Blood — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

He had promised the Warden: no fights.

And he did not start one.

He walked across the market square, through the silence, through the smell of roses and broken glass, past the Baron’s two secretaries and his two bodyguards, who stiffened as he passed and then, without quite knowing why, stepped aside.

And he knelt down on the cobbles in front of the ghoul in the gray dress, and began to pick up the broken bottles.

She didn’t look at him.

She had her hands over her face.

There was blood seeping between her fingers where the cane had split her cheek, dark ghoul blood, slow.

She was shaking.

“It’s all right,” Magnus said quietly.

“Let me see.” She flinched as if he had raised a hand to her.

So he didn’t touch her either.

He just knelt there in the broken glass, picking up the pieces one by one and putting them carefully into the torn paper parcel, and waited.

After a moment, very slowly, she lowered her hands and looked at him over them.

Her eyes were the flat, glassy eyes of every ghoul he had ever known.

And behind the glass, very far back, terrified.

“What’s your name?” he asked.

She stared at him as though the question made no sense.

“Mara,” she whispered.

“Mara.” He nodded.

“I’m Magnus.

I used to be like you.

I know what it’s like.” “How touching.” The Baron’s voice came from above them, light and dry and amused.

Magnus didn’t look up.

He kept picking up glass.

“You must be the famous fledgling,” said Baron Matthias Kessler.

“The one who made Luca Ferrante cry in a church.

I’ve been so looking forward to meeting you.” A pause.

“Do get up.

You’re kneeling on my property.” “I’m not kneeling on anything,” said Magnus.

“I’m picking up glass.” He put the last piece in the parcel.

Then he stood, slowly, and turned around, and looked at the Baron for the first time.

Kessler was not young, and not old, and not anything in particular.

He was a medium-sized man with a medium-sized face, neat and clean-shaven, with thinning fair hair combed carefully over his scalp and pale gray eyes and a small, pursed, fastidious mouth.

He wore a long black coat with a fur collar, beautifully cut, and a silk scarf in Crimson Court colors, deep red and gold.

He was perhaps two hundred years old.

Magnus could feel it on him: a mild, cool, unremarkable pressure, like a draft from an open window.

He had hit Mara across the face, in front of three hundred people, for dropping a parcel.

And his expression had not changed at all.

“The gate says nemo hic servus,” said Magnus.

Kessler smiled thinly.

“The gate is a very old gate.

It says a great many things.” “The Night Laws let a Lord bring his household ghouls into a sanctuary.

As long as they’re not sold.

Or harmed.” Magnus kept his voice level.

Lyra had made him read the Codex.

Every article.

Twice.

“Article twenty-two.” The Baron’s smile didn’t move, but his eyes went very still.

“Someone’s been doing their reading,” he said softly.

“How quaint.” He turned to Mara.

“Up.” It was not a word.

It was a hook.

Magnus felt it go out of the Baron and into her: a thin, cold, taut wire, running from the center of his chest to hers, and yanking.

He had felt that wire from the inside for five years.

He knew exactly what it felt like.

He watched Mara’s body jerk upright, stumbling, onto her feet, her face blank and her eyes wide, and he felt something go very cold and very still inside him.

“Come here,” said Kessler.

The wire pulled.

Mara’s feet moved.

She took a step toward the Baron.

Then another.

Her face was empty, and her hands were trembling at her sides, and there were tears running down her cut cheek.

And behind the glass in her eyes, Magnus could see her, her, Mara, screaming.

“And now,” said Kessler, almost lazily, “I think my ghouls would like to show this young man what happens to people who lecture their betters on the law.” He flicked two fingers.

“Mara.

Ulrich.

Take his eyes out.” The second ghoul, the one carrying the luggage, a big, silent man with a shaved head, dropped the cases on the cobbles and came forward.

Mara came forward too, slowly, with her hands rising, her fingers crooked into claws.

Her mouth was open.

She was crying.

And Magnus said, “Stop.” He did not decide to do it.

That would frighten him most, afterward.

More than what happened.

That he did not decide.

It came up from the bottom of him, from the deep dark place where the second heart lived, and it went out through his voice, and it was not his voice.

It was older.

It was deeper.

It was a sound like a bell struck in a cathedral, like the voice of the man on the black horse in the Northerner’s memory, saying We are the North.

Like the man in the iron crown, saying Hold the wall, Octavian.

It went out across the market square and through the walls of the cavern and up the terraces and down the river, not loud, not loud at all, but everywhere, into everything, into every drop of blood within a hundred yards.

And every ghoul in the Hidden City stopped.

Mara stopped, with her hands an inch from his face.

Ulrich stopped, mid-stride, one foot lifted.

Behind them, Jiří the baker stopped in the doorway of his shop with a tray of loaves in his hands.

Across the square, at the Commons Bank, a queue of free ghouls stopped, as one, and turned their heads toward Magnus.

Up on the terraces, on the bridges, in the café and the cinema and the clinic, fifteen hundred ghouls stopped what they were doing and turned, all at once, like iron filings to a magnet, and looked at him.

And every vampire in the market square went down onto one knee.

Not all of them.

The old ones fought it.

Magnus could see them fighting it, the way the Warden had fought it in his cold room at the top of the stairs: knees trembling, faces white, gripping each other’s arms.

But the young ones, the fledglings and the commons, the strays and the Grazers and the stallholders and the shoppers and Kessler’s two secretaries and both of his bodyguards, went down.

Silently.

Without a word.

Their heads bowed.

Like wheat when the wind passes over.

The Baron did not kneel.

He was old enough to fight it.

But his face had gone the color of old paper, and his pale eyes were wide, and his small fastidious mouth had fallen open, and Magnus could see his knees shaking under the long black coat.

And in the silence, Magnus felt the wire.

The Baron’s wire, running from his chest to Mara’s.

Thin and cold and taut.

He reached out, the way he had reached into the blood in the church in Prague, and took hold of it.

And broke it.

It was easy.

That was the terrible thing.

It was so easy.

It snapped like a thread, with a sound only he could hear, a small bright ping.

And he felt the end of it whip back into the Baron like a broken guitar string, and saw the Baron gasp and stagger and clutch his chest.

And he felt the other end of it, Mara’s end, simply fall away, loose, attached to nothing.

Like a leash with no hand on it.

He did the same to Ulrich.

Ping.

Then he let go of everything, all at once.

The voice.

The Command.

Whatever it was.

He let it go, and pulled it in, the way Kit had taught him, in for four, hold for four, as hard as he could.

All over the Hidden City, fifteen hundred ghouls blinked, and shook their heads, and looked around them, confused, as if they had just woken up.

All around the market square, the kneeling vampires got slowly to their feet, staring at each other, whispering.

And Mara, in front of him, with her hands still raised and her face wet with tears and blood, stared at Magnus with her flat, glassy eyes, and he watched something happen behind them.

Something he had seen once before, in the armory of the Ashen Court, in the eyes of a woman named Irina.

A light, very far down.

Coming up.

“It’s gone,” she whispered.

Her hands dropped.

She pressed one of them to her chest.

“It’s gone.

He’s gone.

I can’t—he’s not—” She looked around wildly, at the Baron, at the square, at the kneeling crowd.

“I can’t feel him.

I can’t feel him anymore.” And then she sat down on the cobbles, quite suddenly, in the broken glass and the roses, and began to laugh.

Or cry.

Magnus could not tell which.

He wasn’t sure she could, either.

“What have you done?” The Baron’s voice was a shriek.

He had recovered enough to stand straight, but his hand was still pressed to his chest, and his face was gray, and his fair hair had come uncombed and was falling over his forehead in strands.

He was staring at Magnus with an expression of total, disbelieving terror.

“That was mine,” he said.

“She was mine.

I made her.

I own her.

Nobody can break that.

Nobody.

A sire’s bond, a master’s bond, it can’t be broken, not by anyone, not ever, not except by—” He stopped.

His mouth worked.

“Not except by—” “Except by the Crown.” The voice came from the far side of the square.

Quiet, dry, like pages turning.

Every head turned.

Konstantin Rauch was standing at the foot of the long stair that led up to his house, leaning on his stick, with a blanket around his shoulders.

He looked very old, and very tired, and very angry.

Magnus had never seen him come down into the city before.

Nobody had, Adrian would tell him later.

Not in forty years.

The Warden walked across the market square, slowly, his stick tapping on the cobbles.

The crowd parted for him.

He stopped in front of the Baron and looked at him for a long time with his faded blue eyes.

“Baron Kessler,” he said.

“You have struck a ghoul within the bounds of this sanctuary.

In public.

In front of witnesses.

In breach of the twenty-second article of the Codex of the Night.” He did not raise his voice.

“Under the Codex, your bond to that ghoul is forfeit.

Under the Codex, the ghoul is free, and you are no longer welcome in this city.

You will leave tonight.

Your secretaries will collect your things.” “You can’t—” Kessler was trembling with rage.

“I’m a vassal of House Valemont.

Of the Crimson Court.

You have no authority to—” “I am the Warden of the last sanctuary of the Kingdom of the Night,” said Konstantin Rauch, “and a Justiciar of the King’s Night Courts, appointed by his own hand, and no one has ever revoked that appointment.

I have every authority.

I have simply been very careful, for a very long time, about using it.” He leaned on his stick, and his voice dropped, so that only Kessler and Magnus could hear it.

“And as for the bond, Baron, I didn’t break it.

You saw who did.

And you know as well as I do what that means.

So I suggest that you go home to Paris, and tell Madame Valemont exactly what you saw here tonight, and let her decide what to do about it.” A pause.

“I’m sure she’ll be fascinated.” Kessler stared at him.

Then at Magnus.

His pale eyes were wide and wild and very, very afraid.

Then he turned, and pushed his way through the crowd, and was gone.

“Every ghoul,” said the Warden.

“Every ghoul in my city.

Fifteen hundred of them.

And half the vampires.

On their knees in the market square in front of a Crimson Court baron.” They were in the cold room at the top of the four hundred and twelve stairs, and the Warden was not sitting down.

He was walking up and down in front of the unlit fireplace, his stick tapping on the stone floor, and every few seconds he stopped and stared at Magnus and shook his head and started walking again.

“I didn’t start a fight,” said Magnus.

“You said no fights.

I didn’t touch him.” “No.” The Warden stopped.

“No, you didn’t.

You did something much worse.

You told the world.” “I didn’t mean to.” “I know you didn’t mean to.

That’s what frightens me.” Konstantin Rauch sat down, finally, heavily, in his chair, and put his stick across his knees, and looked at Magnus with an expression Magnus could not read.

Anger.

And fear.

And under them, very deep, something else.

Something that looked almost like hope.

“Do you know what that was?” he said quietly.

“What you did down there?” Magnus shook his head.

“The old courts called it the Imperium Sanguinis.

The Command of the Blood.” The Warden’s voice was very low.

“Every sire has a hook in what he makes.

Every master in his ghouls.

You’ve felt it.

You’ve had one in you.

But there is a voice above all of those.

A voice that every bloodline answers to, because every bloodline, in the end, comes back to it.

The voice of the Crown.” He looked at his hands.

“He had it.

Only him.

He could walk into a Lord’s court and speak one word and every ghoul in the room would turn to him.

Every fledgling would kneel.

The Lords themselves could resist, if they were strong, but they felt it.

All of them.

They felt it every day for three hundred years.” A pause.

“It’s why they hated him.

Some of them.

And why they loved him.” Magnus didn’t say anything.

“I haven’t felt it since 1891,” said the Warden.

“I felt it tonight from the top of this staircase, through two hundred feet of rock.

I nearly fell down the steps.” He shook his head slowly.

“Kessler felt it.

He’ll tell Seraphine.

Seraphine will tell the others.

In a week every Lord in Europe will know that something has walked into the Hidden City that can break a sire’s bond with one word.” He looked up.

“They will come, boy.

Not all at once.

Not openly.

But they will come.” “I know.” “And Hellsing.

Hellsing has people in this city.

They always have.

Not down here, but up there, watching the doors.

They’ll hear too.” “I know.” The Warden looked at him for a long time.

“And yet,” he said, very softly, “there is a girl down in that market square tonight who is free.” Magnus looked up.

“I’ve been the Warden of this city for two hundred years,” said Konstantin Rauch.

“I’ve watched a thousand Lords’ men bring their ghouls through that gate.

I’ve watched them beaten in the market, in the hotels, in the street.

Every time, I’ve told myself the same thing: Not yet.

Not worth the war.

Keep the city safe.

The city matters more than one ghoul.” He looked at the dark window.

“And every time, I was right.

And every time, I hated myself a little more.” He was quiet for a moment.

“Be careful,” he said at last.

“For God’s sake, boy, be careful.

But I won’t tell you that you were wrong.” Mara chose the Commons.

Noah offered her the choice, that night, in the clinic, with the cut on her cheek stitched and a blanket round her shoulders and a cup of warm bank blood in her hands.

Magnus’s blood, or the Commons Bank.

Magnus sat in the corner and didn’t say anything.

Mara looked at him for a long time across the treatment room.

“Thank you,” she said.

“For what you did.

I’ll never—I’ll never be able to—” She stopped.

Swallowed.

“But I don’t want anyone in me.

Not again.

Not even you.

Not even if you’re kind.” She looked down at the cup.

“I want to be nobody’s.

Is that—is that all right?” “Yes,” said Magnus.

“Yes.

That’s exactly right.” She was twenty-two, it turned out.

From Marseille.

Her family was Algerian, her grandparents had come over in the sixties, her mother was a schoolteacher and her father drove a taxi.

She had met Kessler three years ago, at a gallery opening in Paris where she was working as a waitress to pay her way through art school.

He had been charming.

He had admired her drawings.

She moved into the clinic.

Noah gave her a room on the second floor.

By the end of the week, she was working on the front desk with Kit, who fell hopelessly in love with her within an hour and spent most of his shifts trying and failing to make her laugh.

On the eighth night she laughed, at something stupid he said about Shamrock Rovers, and he looked so astonished that she laughed again, and Magnus, passing the desk with an armful of sheets, had to stop on the stairs and hold the rail.

The Hidden City talked about nothing else.

Magnus could hear it everywhere he went.

In the market, in the café, on the bridges.

People stopped talking when he walked past.

Some of them stared.

Some of them looked away.

Some of them, the old ones, the ones who remembered, bowed their heads very slightly as he passed, and he pulled his aura in so hard it made his chest ache, and they still did it.

They had started calling him things.

The Prince.

The Heir.

Der Rote.

The Red One.

An old ghoul in the market called him Majestät, once, quite seriously, and Magnus walked away so fast he nearly fell over a stall.

And on the tenth night after the Command, he came out of the clinic at dawn and found that someone had painted something on the cavern wall above the market square.

Huge, in dark red paint, ten feet across, where everyone in the city would see it.

A dragon, coiled.

With a crown on its head.

“Kit,” he said.

“Did you do this?” Kit, beside him, looked up at it with an expression of pure, innocent delight.

“No,” he said.

“But I wish I had.” Magnus stood looking up at it for a long time, while the city woke around him.

He thought about the gate.

The crown chiseled off, and put back.

He thought about a long table with thirty empty chairs.

He thought about the voice in his blood, which had said Stop with his mouth and had not asked his permission.

He thought about Mara, laughing at the front desk.

He did not know what he felt.

Pride, and fear, and horror, and something else, something underneath all of those, very small and very quiet, that he did not want to look at.

Because it felt like the voice.

And because it felt, also, very much like Petra, under the spires of Prague, in the rain.

Somewhere nobody owns anybody.

Paris.

The call came through to the Hôtel Valemont at a quarter past three in the morning, while the ball was still going on downstairs.

Seraphine Valemont took it in her private library, a long gilded room on the third floor overlooking the Seine, with a glass of champagne in one hand.

She did not drink the champagne.

She never did.

She simply liked the way it looked, and the way the bubbles rose.

She stood at the window in a gown of deep red silk with the phone at her ear and the lights of Paris spread out below her, and listened to Baron Matthias Kessler weep.

She let him finish.

It took some time.

“Thank you, Matthias,” she said at last, in her soft, warm, beautiful voice.

“That will be all.

Come home.

We’ll discuss your carelessness later.” She hung up.

Then she stood at the window for a long time, very still, watching the river.

She was very old.

Not as old as Konstantin Rauch.

But old enough to have stood in a throne hall in the Carpathians with snow on the windows, at a long table, among twenty-nine others, and felt a voice go through her like a bell.

Old enough to remember what it had cost her to stay seated.

She lifted her glass, and watched the bubbles rise, and smiled.

“Well,” said Seraphine Valemont softly, to nobody at all.

“Then I think it’s time we had a very special ball.”

Full novel: Count Dracula: Monarch of Blood — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
📱NovelCodex for AndroidYour library, progress and tokens, in an app made for reading on your phone.Get the app
‹ PreviousNext ›