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Drawing Manga/Comic In Marvel

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Chapter 3 of 81

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Chapter 3: Shonen Jump Marvel Comics

Drawing Manga/Comic In Marvel

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( updated ) 3: Chapter 3: Shonen Jump, Marvel Comics.

( updated ) Andy read the line twice, then looked up at the kid on the other side of the desk, opened his mouth, and discovered he had absolutely nothing to put in it.

He looked back down at the page instead.Full novel: Drawing Manga/Comic In Marvel — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠

Seriously?

A lead character with a screw this loose, and readers were supposed to root for him?

Who wrote something like this and expected it to sell?

At least somebody on the page agreed with him.

Vaccine Man, evidently, took the introduction very personally.

Villains lived and died on their dignity, and this one had just been informed, to his face, that the man standing against him was doing it as a hobby.

His rage came boiling up off the panels.

He swelled, doubled in size, and kept going, his silhouette climbing until it crowded out the sky, the ruined city shrinking to rubble around his ankles, and every furious line of the art made the same promise: his power had grown right along with his body.

Andy made his professional prediction without even trying.

One swipe of that enormous claw, one dead hobbyist, and then presumably a funeral, and then presumably the actual story.

The size difference alone was hopeless.

The sheer menace wasn’t even comparable.

And the bald man stood at the bottom of all of it looking, if anything, like he was out enjoying a light breeze.

Andy pinched the bridge of his nose.

Then he thought he had it figured out, and relaxed a little.

Of course.

This was one of those dark superhero books.

The type had been fashionable a few years back: an edgy premise, a protagonist beaten down without mercy, parents dead, girlfriend dead, an entire season of pages spent grinding out one low-level street thug.

It had felt fresh for about a year.

Then the imitators came stampeding in, the readers got sick of the whole miserable flavor, and the trend collapsed with everybody cursing at it on the way down.

So that was the game here.

Open like a comedy, then make the hero suffer.

With his expectations comfortably lowered, Andy started assembling a few polite words to let the kid down gently, and turned the page to watch the hobbyist die.

Hmph.

Right on schedule, the monster attacks, and…

Wait.

WHAT?!

Andy’s whole body jolted.

Goosebumps broke out down both arms, and his eyes very nearly left his skull.

One page.

One panel, blown up to fill the whole sheet.

A fist, thrown so casually it was almost lazy, buried through the center of Vaccine Man’s chest and out the other side, with the monster’s grand final speech still hanging half-finished in the margin above his own exit wound.

No exchange.

No struggle.

No twenty-page arc.

The fight that every rule of the genre demanded had cost exactly one punch.

“I must’ve skipped something,” Andy muttered to himself.

He flipped back a page.

Read it.

Flipped forward.

Same panel.

Back again, forward again, faster now, the paper rasping under his thumb, and finally he held the whole stack up to the office lights and counted the sheets one by one, like a man counting money he didn’t trust.

The count came out right.

He lowered the pages and looked up at Trist, dazed.

“Are there…

pages missing?” Trist watched his uncle’s completely lost expression and couldn’t hold back a chuckle.

“Not one page.

That’s the whole fight.” “Oh.

Shit.” It came out a lot louder than he meant it to.

Beyond the glass wall, two heads turned toward the office.

Andy didn’t notice any of it, because it was not the answer he had wanted, and his head was a mess, and he was already reading again.

The remaining chapters went down fast.

Chapter two flashed back to a crab-man called Crablante and a promise made to him in an alley, and somewhere inside that completely ridiculous scene, the book’s real aim started coming clear.

Chapter three sent a giant the size of a city block wading through downtown, a musclehead named Marugori pumped huge on his genius brother’s miracle drug, and the bald man ended him the same way he ended everything.

And the fourth chapter closed on a king rising up from under the earth, crooking one finger at the surface world, above the words TO BE CONTINUED.

Andy set the fourth chapter down with both hands, gently, terrified of creasing the paper.

He swallowed.

“What’s the title?” Because he already knew exactly what he was holding.

This comic had flat-out overturned the traditional definition of a hero.

The lead wasn’t a saint.

He had no flashy superpower origin, no creed, no heroic worldview anywhere in him, and the book said so itself, in so many words: he was merely a hero for fun.

In all Andy’s years as manager and editor-in-chief both, years in which he had read everything this industry produced, he had never once been this hooked on a comic.

This one is going to blow up.

Even the monster designs, which he’d written off at first glance as radiation-mutant boilerplate, turned out to be aimed.

The Crablante chapter was what made it click: these were parodies, pointed straight at twenty years of interchangeable villains-of-the-week.

The bad guys delivered their grand speeches, the speeches accomplished absolutely nothing, and the bald man ended them mid-sentence, and the whiplash between those two things was strong enough to grab a reader by the eyeball.

There was no logic anywhere.

The settings looked like they’d been made up over lunch.

And he could not stop reading.

Wrap all of that in original art sitting at the very top of what American craft could produce, and the conclusion drew itself: a market everyone had written off for dead was about to bounce hard off the floor.

Trist spread his hands, easy as a breeze.

“One-Punch Man.” “One punch.” Andy picked the pages back up and flipped through them again, and this time the sound he made was pure appreciation.

“It fits.

Hell of a comic.” “So I’m all you need.” “Even so.” The manager in Andy dragged the fan back behind the desk where he belonged.

“A company can’t stand on one book, Trist.

And you’ve only got the one body.

You’ll burn yourself out before the second volume.” It was an honest worry, in any normal world.

No publisher alive ran on a single artist’s hands, and if the economy weren’t lying in a ditch, people would be pouring into this field instead of out of it.

“Relax, Uncle Andy.” Trist tapped his own temple, and the confidence on him wasn’t performed at all.

“I’ve got plenty more up here, every bit as good as this one.” That was actually underselling it.

Without the system, his memory would have run dry inside a couple of years.

With the Search function, he could draw for ten lifetimes and never see the bottom of the well.

“Fine.

You’re the boss.” Andy sighed and let it go, because letting it go was the entire extent of his authority.

He was the founder’s old friend, not a shareholder, and advice was the only currency he had.

He was still worried, and it showed.

Trist saw it and shook his head to himself, and didn’t argue.

He knew what his uncle was thinking, and the only thing that could answer it was the future itself.

Anything he said now was wasted breath.

He paused, thought for a moment, and moved to the next item.

“Rename the magazine.

Shonen Jump.

From now on, everything I draw runs in it.” Shonen Jump.

In his old world, that name belonged to the best-selling boys’ comic weekly in the history of the medium, the shelf that had carried One Piece, Dragon Ball, Naruto, Bleach, Hunter x Hunter, and half the classics ever printed, and Trist intended to carry them over onto it, one by one, every last title.

“Shonen Jump,” Andy repeated, testing the weight of it, and then moved on to housekeeping.

“The artists who quit, their series stay with the company.

Standard contract.

Want me to hire hands to continue them?” It was ordinary practice.

Unless a big name walked, the publisher kept the book and kept it running.

“No.

No continuations.” Trist didn’t even pause on it.

“The heart of Shonen Jump is three things: friendship, effort, victory.

The traditional superhero mold has hardened solid.

There’s no need for it anymore.” And with that, four careers went into the wastebasket in a single sentence.

Whether their former owners would cough blood on hearing about it was anyone’s guess, and mercifully, none of them were present to find out.

Andy nodded along, and somewhere in the middle of the nodding, he noticed that his own opinion of the boy had quietly reorganized itself.

In one short conversation, the kid had shown he could stand entirely on his own.

Every sentence landed on its feet.

His whole bearing was bright and forward-leaning, and there was none of his father’s old-world modesty in him, none of that reflexive bowing to the room, and Andy, American to the bone, found that honestly, this version suited his taste better.

After that, the two of them bent over the desk together and started planning the future in earnest, and the conversation kept happily escaping its own agenda.

Print schedules turned into distribution.

Distribution turned, of all things, into animation: doing it in-house, hiring a production team once the new book proved itself, owning the whole pipeline from pencil to broadcast and keeping every dollar it generated.

By the end, both of them were treating One-Punch Man’s success as an established fact and arguing only about what to build on top of it.

Through all of it, Trist pushed the tempo.

Every timeline Andy floated, he cut in half.

In an ordinary world, he could have afforded to take it slow, one careful step at a time.

But this was the Marvel universe, and who the hell knew whether some villain would come crawling out ahead of schedule, or whether he’d simply be walking down a street one day and a stray shot would end him on the pavement.

He was only an ordinary man.

He had never once in his life liked pinning his hopes on other people, and the faster the fan points landed in his account, the safer he would feel.

So he sat with Uncle Andy and planned the future, and pushed.

Time waits for no one.

Outside the office, the surviving employees held a much quieter meeting around the coffee machine.

“What do you figure the boss and the chief are talking about in there?

It’s not…

closing, right?” “Que sera, sera.” “Easy for you to say.

Try finding work this year.” They whispered it back and forth, and every one of them was uneasy, because none of them were artists.

Artists could jump ship.

The rest of them were the ship, and if the company folded now, in this economy, nobody out there was hiring, and everyone around the coffee machine knew it.

They were still hanging in that fog when the office door clicked open and the two men came out, Andy in front.

The old hand went straight to work.

Three sentences, unhurried, half information and half warmth, and the anxiety in the room settled the way it always settled when Andy talked.

For the finish, he held up the thick manuscript and gave it a little wave: submissions were still coming in, and good ones.

The company had a book.

He did not mention that the book’s author was the boss.

Some news, you release in stages, and this room was jumpy enough already.

He walked Trist to the elevator himself.

“Trist.

No.” Andy caught himself, and something wry crossed his face.

“Tristan.

Your father hated it when I shortened it, so I’ll use the name he picked.

Don’t forget about school, you hear me?

College has a lot to offer a young man.” He clapped a hand down on the kid’s shoulder, and the look that came with it carried a full paragraph.

“Uh-huh.” Trist’s face went carefully, completely flat, and he stepped into the elevator with all the enthusiasm of a man boarding a bus to jury duty.

Then, just as the doors began to slide, a light went on somewhere behind his eyes, and he turned back with a small, entertained smile, struck by one last piece of business.

“Oh, right.

Uncle Andy.

The company name changes too.” Andy hadn’t seen that one anywhere on the agenda.

“What?” Moss Comics was his father’s choice, the family name over the door, plain and modest as a handshake.

It had suited the man perfectly.

It did not suit the plan.

“Marvel Comics.” The words had barely landed when the doors closed, and the elevator carried the boy down, and left Andy standing alone in front of the brushed steel with his thoughts.

“Marvel Comics,” he tried, out loud, once, just to hear what the name did in the air.

An ambitious word, marvel.

It rang like a promise.

He found that he approved.

And still, standing there, he couldn’t shake the feeling that there was some deeper meaning folded inside it, something the boy in the elevator hadn’t said out loud, and that he was only seeing the front of it.

Full novel: Drawing Manga/Comic In Marvel — read the rest free on N​o⁠v​e⁠l​C⁠o​d⁠e​x⁠.​o⁠r​g⁠
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